Playable Streets' aim IS to connect people with their surroundings and with each other through the action of touch as strangers become muSiCal collaborators.

Playable Streets have a singular focus, to encourage people to reach out and touch their world. Using the latest technologies available Playable Streets' aim is to connect people with their surroundings through the action of touch as strangers become musical collaborators. Working with composers, engineers and visual artists Playable Streets have created a series of works that explore public collaboration and collective musical play. Works include Reach Out Sounds, Sounding Stories, Clippy, The Plants, Sounds Exquisite, In Touch and Instro Experimento. Playable Streets also present workshops for a diverse range of participants exploring the intersection of Music, Technology, Art and Design. To discuss possible projects and collaborations please email: Glen Walton


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Glen Walton

Glen is one of Australia’s leading artists exploring cutting edge and genre defying performance, interaction and community engagement. Glen is a performer, writer, theatre maker, visual artist, musician, interaction designer and digital instrument maker, he has developed a distinctive style in both theatrical and musical creations. Glen is the founder and artistic director of interactive digital arts company Playable Streets. He is also a founding member of The Suitcase Royale Theatre Company whose unique blend of music and 'Australian Gothic' narratives has accrued much critical acclaim worldwide. He has toured extensively throughout Australia, North America, Asia, Europe and The UK, including Melbourne International Arts Festival, Edinburgh Festival & Soho Theatre - UK, Ruhrfestspeile & Erlangen Festivals - Germany, the Andy Warhol museum, Pittsburgh & New Victory Theatre, New York. Since 2010 Walton has been working with Polyglot Theatre as performer, musician, puppet maker and collaborator touring extensively nationally and internationally on all of Polyglot’s flagship shows. Glen has recently completed a Masters degree at the University of Technology, Sydney (part of the Creativity and Cognition Studio) studying interactive touch-based musical installations.


Cayn Borthwick

Cayn is a composer whose music is deeply rooted in a sense of place and narrative. Hailing from northern New South Wales, Borthwick has called Melbourne home for the past ten years and worked as a performer and multi-instrumentalist. He plays and writes with some of Melbourne’s most exciting acts including heat-beat aficionado’s No Zu, trop-pop party starters Mighty Duke and the Lords and dream-beat star Sui Zhen. He has toured internationally and performed at Australia’s premier music festivals including Meredith Music Festival, Falls Festival, Dark MOFO and many more. Borthwick has been the recipient of the Cassidy Bequest Scholarship, the Beleura Sir George Talis Award and the Global Atelier Overseas Scholarship. He is currently studying his Master of Music at the Victorian College of the Arts and Melbourne Conservatorium of Music. Over the past four years Cayn has composed extensively for short film, theatre, advertising, art and contemporary music. Borthwick strives to make music that is both intellectually rigorous and aesthetically pleasing in his practice.


Edie Atkins

Edie is a visual artist, illustrator and potter from Melbourne, Australia. She specialises in observational drawings that quickly convey both pathos and humour. From simple line drawing to complex abstractions, Edwina works between mediums to explore and portray the human condition as seen through her somewhat rose coloured glasses. Her pottery reflects these observations and often incorporates her portraiture into vases, sake jugs and cups. Also a primary school teacher Edwina has taught across Australia and Japan with a strong focus on integrating the arts into education. Edwina recently had a sold out solo show at Schoolhouse Gallery called Quarter Acre that explored themes of aspiration and the ‘Australian Dream’.


Jamie Houge

Jamie draws her expertise from a successful career in digital & film production, and the strategising of marketing and publicity across all forms of media. Beyond her work as a producer of feature film, Jamie produces web, apps, and marketing strategy. She specialises in working with creative industries, new businesses, productions, and other producers, in identifying and engaging audiences for an entity or project from inception through release.

Her feature film work includes Producer on US based feature film SUGAR MOUNTAIN(2016) starring Jason Momoa, Cary Elwes, Anna Hutchison, Haley Webb, Drew Roy and Shane Coffee, THE LOOKALIKE (2013) starring Justin Long, John Corbett, Luiz Guzman & Jerry O'Connell, Associate Producer and Production Coordinator on BLINDER (2012). Jamie is also credited for her work as Production Coordinator on US feature film, MINE GAMES (2011), Production Manager of PERCEPTION (2013, Dir. Miranda Nation) winner of the Dendy Short Film Award at Sydney International Film Festival 2013. Creative Director and Producer of THE WESTBURY FAERY (2016-2017) which won the Shorty Award for best Augmented Reality.

Her work can be found at


Bob Jarvis

Bob Jarvis is an accomplished audio-visual artist based in Melbourne, Australia. Working across live video performance, music, animation and software development, he holds a Bachelor of Music from Adelaide University and a Masters of Computing from RMIT which he applies to the development of tools for live audio-visual performance.Previous artistic output has included a piece for chamber orchestra and live projection, “Concerto for Light Sculpture“, which won The Vice Chancellors Award at The International Space Time Concerto Competition in 2012. Concepts of that piece were extended in the 2013 work “Luminesce“, a collaboration between Robert Jarvis, Gian Slater and her choir Invenio which explored emergence and the visualisation of musical arrangement. Luminesce went on to win in the live category of the International Visual Music Awards in 2015.He has developed software for other artists and audio-visual projects including plugins for controlling the largest instrument in the southern hemisphere and touchscreen applications for orangutans. His work has been exhibited at galleries such as The National Gallery of Victoria, The Australian Centre for the Moving Image, The Sydney Royal Botanic Garden and many far-flung places: The Netherlands, Jakarta, New Zealand, Adelaide, Newcastle, Hobart and Sydney.His open source output includes development and maintenance of VIZZable, a suite of open source video performance plugins for Ableton Live with a highly active community of users worldwide as well as supporting the Spout video Framework written by his father Lynn Jarvis.He has produced experimental animated music videos for artists Faux Pas, Agnes Kain and Packwood which have screened at festivals internationally. Bob currently works as a freelance software developer and audio-visual artist as well as lecturing in interactivity and software design at RMIT University, Melbourne.

Lily Youngsmith

Cinematographer Lily Youngsmith developed her camera skills through training at the NFTS in London, the Australian Cinematographers Society and Deakin University. She then went on to assist many of Australia's finest cinematographers including Lazlo Baranyai ACS HSC, Marden Dean ACS, and Aaron Farrugia. Lily has worked as a cinematographer/camera operator across feature films, short films, music video and commercial content. Lily’s narrative credits include Maggie Mckenna’s short film Train Tracks (2017), Fragile (2017) directed by Julia Grace, NOTHING TO HIDE (2018) directed by Nicolas Dunn, and COMICAN’T (2019) directed by Rory Kelly. In 2018, Lily shot the pilot episode of BUTCH, directed by Harry Lloyd, which recently received the Queer Screen Development Award. Lily is currently working in close collaboration with the National Gallery of Victoria on a number of projects for release in 2019. 


Pikkle Henning

Pikkle is a sound engineer, technician, producer, musician and instrument maker. Henning has provided live sound installation and operation for bands in venues ranging from bars, clubs and theatres to outdoor festivals and events. He was the in-house sound technician at SugarFactory Nacht Theatre, Amsterdam – 2006-7 and touring sound technician on various national and international tours. As a sound engineer, producer and musician Henning has worked with some of Melbourne’s favourite bands including: Trojan Horns, Pete and the Tar Gang, Two Bit Orchestra, The Suitcase Royale, The Cocoa Jacksons, Lone Tyger, Puta Madre Brothers, Mighty Duke and the Lords, Dan Dinnen, Heather Stewart Band, Pete Reid, Joel Plymin & Them Blues Cats, Jason Freddi, and many more. Henning has created many novel and unique instruments from a sub woofer double bass to an Arduino-powered ‘player piano’ drum machine. Henning is currently studying Engineering at Melbourne University.